http://www.sudeepchaudhuri.com/highlights daily 1.0 2019-03-06 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1550593697822-VTX8YFM0WAZWJ0LRVJVC/SAF_E_NFOI_01A.jpg Highlights - Ephemeral: New Futures for Passing Images The history of photography in India presents some unexplored and unexpected gaps. One of the most understudied concepts is that of ‘vernacular’ photography – a term often applied to quotidian images, which in India, given its colonial connotations, has been amended by visual anthropologists such as Christopher Pinney with the term mofussil, or that which lies outside the centre and besides the strictly metropolitan. The colloquial referencing of ‘vernacular’ focuses heavily on that which is ‘native,’ as distinguished from the ‘national.’ Hence, the focus on local, community-oriented, marginalised zones that may represent elided traditions come to the fore as viable parameters within which the term is broadly understood. Ephemeral seeks to broaden the engagement with the term ‘vernacular,’ in both subject and representation, in order to think about how, with overlapping histories today, we can enhance our understanding of a lens culture around the subject. Photos by: Philippe Calia & Sunil Thakkar/ Courtesy: Serendipity Arts Festival https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1550593697822-VTX8YFM0WAZWJ0LRVJVC/SAF_E_NFOI_01A.jpg Highlights - Copy of Ephemeral: New Futures for Passing Images The history of photography in India presents some unexplored and unexpected gaps. One of the most understudied concepts is that of ‘vernacular’ photography – a term often applied to quotidian images, which in India, given its colonial connotations, has been amended by visual anthropologists such as Christopher Pinney with the term mofussil, or that which lies outside the centre and besides the strictly metropolitan. The colloquial referencing of ‘vernacular’ focuses heavily on that which is ‘native,’ as distinguished from the ‘national.’ Hence, the focus on local, community-oriented, marginalised zones that may represent elided traditions come to the fore as viable parameters within which the term is broadly understood. Ephemeral seeks to broaden the engagement with the term ‘vernacular,’ in both subject and representation, in order to think about how, with overlapping histories today, we can enhance our understanding of a lens culture around the subject. Photos by: Philippe Calia & Sunil Thakkar/ Courtesy: Serendipity Arts Festival https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1550593833848-6KZB4M6DJ03I7FR43OL5/SAF_E_NFOI_01B.jpg Highlights - Copy of Ephemeral: New Futures for Passing Images The history of photography in India presents some unexplored and unexpected gaps. One of the most understudied concepts is that of ‘vernacular’ photography – a term often applied to quotidian images, which in India, given its colonial connotations, has been amended by visual anthropologists such as Christopher Pinney with the term mofussil, or that which lies outside the centre and besides the strictly metropolitan. The colloquial referencing of ‘vernacular’ focuses heavily on that which is ‘native,’ as distinguished from the ‘national.’ Hence, the focus on local, community-oriented, marginalised zones that may represent elided traditions come to the fore as viable parameters within which the term is broadly understood. Ephemeral seeks to broaden the engagement with the term ‘vernacular,’ in both subject and representation, in order to think about how, with overlapping histories today, we can enhance our understanding of a lens culture around the subject. Photos by: Philippe Calia & Sunil Thakkar / Courtesy: Serendipity Arts Festival https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1550593855923-WW0GR3OITQYR7FRCLZZW/SAF_E_NFOI_10B.jpg Highlights - Ephemeral: New Futures for Passing Images The history of photography in India presents some unexplored and unexpected gaps. One of the most understudied concepts is that of ‘vernacular’ photography – a term often applied to quotidian images, which in India, given its colonial connotations, has been amended by visual anthropologists such as Christopher Pinney with the term mofussil, or that which lies outside the centre and besides the strictly metropolitan. The colloquial referencing of ‘vernacular’ focuses heavily on that which is ‘native,’ as distinguished from the ‘national.’ Hence, the focus on local, community-oriented, marginalised zones that may represent elided traditions come to the fore as viable parameters within which the term is broadly understood. Ephemeral seeks to broaden the engagement with the term ‘vernacular,’ in both subject and representation, in order to think about how, with overlapping histories today, we can enhance our understanding of a lens culture around the subject. Photos by: Philippe Calia & Sunil Thakkar / Courtesy: Serendipity Arts Festival https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1550593902402-M6R7XFYYC0BJ1EV6T7DU/SAF_E_NFOI_30.jpg Highlights - Ephemeral: New Futures for Passing Images The history of photography in India presents some unexplored and unexpected gaps. One of the most understudied concepts is that of ‘vernacular’ photography – a term often applied to quotidian images, which in India, given its colonial connotations, has been amended by visual anthropologists such as Christopher Pinney with the term mofussil, or that which lies outside the centre and besides the strictly metropolitan. The colloquial referencing of ‘vernacular’ focuses heavily on that which is ‘native,’ as distinguished from the ‘national.’ Hence, the focus on local, community-oriented, marginalised zones that may represent elided traditions come to the fore as viable parameters within which the term is broadly understood. Ephemeral seeks to broaden the engagement with the term ‘vernacular,’ in both subject and representation, in order to think about how, with overlapping histories today, we can enhance our understanding of a lens culture around the subject. Photos by: Philippe Calia & Sunil Thakkar / Courtesy: Serendipity Arts Festival https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1550593887303-BRAT1KYNCZN8N9YRPMUR/SAF_E_NFOI_25A.jpg Highlights - Ephemeral: New Futures for Passing Images The history of photography in India presents some unexplored and unexpected gaps. One of the most understudied concepts is that of ‘vernacular’ photography – a term often applied to quotidian images, which in India, given its colonial connotations, has been amended by visual anthropologists such as Christopher Pinney with the term mofussil, or that which lies outside the centre and besides the strictly metropolitan. The colloquial referencing of ‘vernacular’ focuses heavily on that which is ‘native,’ as distinguished from the ‘national.’ Hence, the focus on local, community-oriented, marginalised zones that may represent elided traditions come to the fore as viable parameters within which the term is broadly understood. Ephemeral seeks to broaden the engagement with the term ‘vernacular,’ in both subject and representation, in order to think about how, with overlapping histories today, we can enhance our understanding of a lens culture around the subject. Photos by: Philippe Calia & Sunil Thakkar / Courtesy: Serendipity Arts Festival https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1550593897289-89QFCIGZSAD56V44IW6M/SAF_E_NFOI_28B.jpg Highlights - Ephemeral: New Futures for Passing Images The history of photography in India presents some unexplored and unexpected gaps. One of the most understudied concepts is that of ‘vernacular’ photography – a term often applied to quotidian images, which in India, given its colonial connotations, has been amended by visual anthropologists such as Christopher Pinney with the term mofussil, or that which lies outside the centre and besides the strictly metropolitan. The colloquial referencing of ‘vernacular’ focuses heavily on that which is ‘native,’ as distinguished from the ‘national.’ Hence, the focus on local, community-oriented, marginalised zones that may represent elided traditions come to the fore as viable parameters within which the term is broadly understood. Ephemeral seeks to broaden the engagement with the term ‘vernacular,’ in both subject and representation, in order to think about how, with overlapping histories today, we can enhance our understanding of a lens culture around the subject. Photos by: Philippe Calia & Sunil Thakkar / Courtesy: Serendipity Arts Festival https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1545023058376-HCKFADAT4JFSAUNU1THR/IFI_Mutations_01.jpg Highlights - Mutations: Indo-French Image Encounters Curated by François Cheval and Rahaab Allana the exhibition showcased the works of 16 photographers (Anouck Durand, Anshika Verma, Asmita Parelkar, Baptiste Rabichon, Charles Freger, Dhruv Malhotra, François Burgun, Indu Antony, Laetitia d’Aboville, Marion Gronier, Philippe Petremant, Sohrab Hura, Sukanya Ghosh, Thierry Fontaine, Vibha Galhotra and Yannick Cormier) from France and India. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1545023200287-X1SPXYHF1YY0MHWPZ5W5/IFI_Mutations_02.jpg Highlights - Mutations: Indo-French Image Encounters Curated by François Cheval and Rahaab Allana the exhibition showcased the works of 16 photographers (Anouck Durand, Anshika Verma, Asmita Parelkar, Baptiste Rabichon, Charles Freger, Dhruv Malhotra, François Burgun, Indu Antony, Laetitia d’Aboville, Marion Gronier, Philippe Petremant, Sohrab Hura, Sukanya Ghosh, Thierry Fontaine, Vibha Galhotra and Yannick Cormier) from France and India. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1546679035020-SBG0E6B72A53VV07AF57/IFI_OOF_Poster_01.jpg Highlights - Mutations: Indo-French Image Encounters Curated by François Cheval and Rahaab Allana the exhibition showcased the works of 16 photographers (Anouck Durand, Anshika Verma, Asmita Parelkar, Baptiste Rabichon, Charles Freger, Dhruv Malhotra, François Burgun, Indu Antony, Laetitia d’Aboville, Marion Gronier, Philippe Petremant, Sohrab Hura, Sukanya Ghosh, Thierry Fontaine, Vibha Galhotra and Yannick Cormier) from France and India. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1534090711071-CJK5O2IT0ZSZA4881WM0/CinematicImagination_unedited_SD-2.jpg Highlights - A Cinematic Imagination: Josef Wirsching and the Bombay Talkies A tribute to one of the forgotten pioneers of Indian cinema, the cinematographer Josef Wirsching, this exhibition showcased for the very first time, original photographs and digital reprints from the Wirsching Archive. Taken between the 1920s–60s, the photographs provided a glimpse to the aesthetic decisions, creative communities, and cross-cultural exchanges that were vital to filmmaking in late colonial India. The acclaimed production studio, Bombay Talkies, played a major role in defining the form of mainstream film in India, established by Himanshu Rai in 1934. The exhibition foregrounded the critical role German technicians and interwar image-making practices in the history of Indian cinema, presenting some of the best-known actors and technicians from Devika Rani, Ashok Kumar and Leela Chitnis, to Jairaj, Hansa Wadkar, and Dilip Kumar. Photographs Courtesy: Serendipity Arts Trust https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1534090709777-6T7DNW0G18B87TSCA3O5/CinematicImagination_unedited_SD-1.jpg Highlights - A Cinematic Imagination: Josef Wirsching and the Bombay Talkies A tribute to one of the forgotten pioneers of Indian cinema, the cinematographer Josef Wirsching, this exhibition showcased for the very first time, original photographs and digital reprints from the Wirsching Archive. Taken between the 1920s–60s, the photographs provided a glimpse to the aesthetic decisions, creative communities, and cross-cultural exchanges that were vital to filmmaking in late colonial India. The acclaimed production studio, Bombay Talkies, played a major role in defining the form of mainstream film in India, established by Himanshu Rai in 1934. The exhibition foregrounded the critical role German technicians and interwar image-making practices in the history of Indian cinema, presenting some of the best-known actors and technicians from Devika Rani, Ashok Kumar and Leela Chitnis, to Jairaj, Hansa Wadkar, and Dilip Kumar. Photographs Courtesy: Serendipity Arts Trust https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1492237381650-F11LZ4D8W8PRRMDG4VOF/Grover_Ahldag_Poster_01.jpg Highlights - Leaky Folds: Grover|Ahldag Fold-out Poster Leaky Folds conflates the topographical measure of contemporary workplace with our psychological spreads, that of two artists immersed, and waged. Having sought mock-employment in one of India’s biggest software firms, Amitesh Grover and Arnika Ahldag appeared as workers at various locations across the company’s campus - at doorways and in elevators, at fire exits and at secure access points, during night shifts and as shadows of colleagues. They encountered narratives of data secrecy, offshore sites, and recurring crises, as the two learned to perform digital service work. Often, Amitesh and Arnika performed disruptions within the workplace - exercises in abstraction, uselessness, and work-lessness. Notes from this 6-months long immersion are assembled in these leaky folds. Read these perforations as a comment on the spread of digital capital, obsession with logistics and automation, and the messy reality of a post colonial world. Grover|Ahldag reconsider notions of value, leisure, performance, and acceleration, and seek to dither, to un-measure. Their bodies leaked. Their data leaked.   https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1493294887786-329IW4STSSB29L3LMVNX/Vol-10-Iss-8.jpg Highlights - Tehelka Art Direction & Cover Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1493542916941-O1W9M7UIW23P250TT9DS/FHF_YFFT_01.jpg Highlights - Film Heritage Foundation: Yesterday's Films for Tomorrow Yesterday’s Films for Tomorrow is a 300 page book commissioned by the Film Heritage Foundation for everyone who loves cinema, and cares about its past and its future. PK Nair (1933-2016), the author was known as India’s ‘Celluloid Man’, and was a passionate film-lover and archivist who dedicated his entire life to saving the country’s cinematic heritage. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1501736647741-S94I2LNF0G2PVC9MCM72/Delhi-Press-The-Bridge_04.jpg Highlights - Delhi Press: The Bridge Promoted by India’s most respected magazine on politics, art and culture, The Bridge is a digital media platform that looks at the society, law, economy, politics, policy and culture through the lens of women. Through dialogues about policy, politics, society and culture The Bridge hopes to generate synergies, new perspectives and momentum for the road ahead. The logo represents equality across both sexes with = mark across the colours representing them. The bands weave and interlink the sexes as the principle isn’t independent of the other, like the warp and weft of fabric. Equality is the weft, strengthening and holding the fabric together. The colour for = is black (reflects no colour) which underlines the need for equality regardless of sex, orientation or colour, or white (which reflects light) and is a presence of all colours in the spectrum. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1449640057929-7IFNMRVGVURBN4YG7NIQ/Atrium_02.jpg Highlights - Bulgari Launch Pop-up Exhibition & Installation, 2014 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1478220770595-TKS5CJ59OPD90W1NS9TZ/ABInbev_01.jpg Highlights - AB Inbev: Budweiser EDC Packaging https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1493294838860-4S30Z256B36X7KP3ZB5R/Vol-10-Iss-19.jpg Highlights - Tehelka Art Direction & Cover Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1492237310374-6Y92DEDWNCTSD13XP703/IFI_TSOT_01.jpg Highlights - The Surface of Things: Photography in Process The experimentation with a light sensitive surface eventually led Joseph Nicéphore Niépce (1765-1833), inventor of the first photograph – a heliograph – to create a copy-image of a view through his window in Le Gras in 1826. Almost 200 years hence, to usher a festival of photography during Bonjour India 2017-18, this exhibition invoked the birth of an analogue visual form through a process-oriented exhibit, featuring the works of 4 contemporary artists – Uzma Mohsin, Srinivas Kuruganti, Sukanya Ghosh and Edson Dias. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1480737367783-XJRNZQ1X8GR1HQ2X9AZ1/IFI_TSOT_06.jpg Highlights - The Surface of Things: Photography in Process The experimentation with a light sensitive surface eventually led Joseph Nicéphore Niépce (1765-1833), inventor of the first photograph – a heliograph – to create a copy-image of a view through his window in Le Gras in 1826. Almost 200 years hence, to usher a festival of photography during Bonjour India 2017-18, this exhibition invoked the birth of an analogue visual form through a process-oriented exhibit, featuring the works of 4 contemporary artists – Uzma Mohsin, Srinivas Kuruganti, Sukanya Ghosh and Edson Dias. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1442836285853-MY6US5KVRFRVX4IPK580/sotomoto-Roundabout.jpg Highlights - sotomoto Intersection Rug: Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1456339102803-GC7U62MC8H55RAEDUBMO/Gulail_BCards_01.jpg Highlights - Gulail Word mark and Identity Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1458012547657-PDZSF11AJUGXXHY70VP6/Origins_03.jpg Highlights - PhotoUKIndia: Origins Exhibition Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1457961053617-SEUNBII1PI7760C5SEBI/Origins_05.jpg Highlights - PhotoUKIndia: Origins Exhibition Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1469599619145-D7P1WUH2J9D7577JUDCU/NL_IAFP_01.jpg Highlights - News Laundry Chase (a collaboration between News Laundry and Scoopwhoop) ventures into the world of Friday protests in Kashmir, where stone pelters clash with the police resulting in a violent display. The film deals with the why, the who, the how of the growing dissent in Kashmir and tries to trace the reasons for the violence which has culminated to its tipping point post the death of Burhan Wani. The studio did a few illustrations for the film, where a protestor recalls watching a friend lose his life to police bullets, prompting him to become a stone pelter. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1493294991668-O17E1NHXS7C68HBE2V9D/Vol-10-Iss-18.jpg Highlights - Tehelka Art Direction & Cover Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1457956137084-4H7HL4OTGE42A4UUFUKX/Arun-Maira_01.jpg Highlights https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448373029473-7SZMMV4L4QFZ7AR7M5Y9/Bl%5Enk_Poster_01.jpg Highlights - BL^NK Autumn Winter 2009 Catalogue https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448373061708-MNSWWF57HGGHPQ6L679Z/Bl%5Enk_Poster_02.jpg Highlights - BL^NK Autumn Winter 2009 Catalogue https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1465190870892-89O0NVUTWMD5LTH5C8WF/Plantation-House_Visiting-Cards.jpg Highlights - Plantation House Identity Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1465022576715-Z9DSBAUW2A3U2OAZTU17/Hanut-Singh_01.jpg Highlights https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448374727975-HUJVVL6UG16QW1CL4EJN/Ishan_Poster.jpg Highlights - Inbetweeners: In the Shadows in Tokyo and Delhi Fold-out poster designed for an exhibition of photographs by Ishan Tankha, at Japan Foundation, New Delhi https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448373163964-02I8DLQQ1Z5FYA43KFMI/IIC-Book-Cover_02.jpg Highlights - India International Centre (IIC) Quarterly Cover Design and Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1458013127365-PI9XNVG5LDCKTOM3LYI7/Child-Rape_03.jpg Highlights - Tehelka Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1445334525943-XTC7ZVN24LY7AGMJ2Y8Z/Tehelka-Covers.jpg Highlights - Tehelka Art Direction, Cover Design & Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448372890060-AXDK513X4NW7NONOSC86/Tehelka-Spreads_01.jpg Highlights - Tehelka Art Direction https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448372884822-EYLZ9FE2VXT74XKGCWUH/Tehelka-Spreads_00.jpg Highlights - Tehelka Art Direction https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448375659987-ER2BDGWFSNY4PLFEJ08Z/Vidura_Poster.jpg Highlights - Meiyou Wenti (No Have Problem) An Exhibition of Photographs by Vidura Jang Bahadur Poster Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448373115226-1LOOMUQDV80QH88RM5FT/Excess_04_Final.jpg Highlights - Hachette Cover Design & Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1457953827217-4Z5NTPVTTQJFPD7Y5SD4/Tehelka-Noir-Opener.jpg Highlights - Tehelka Fiction Issue Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1465192408302-TP5L4Y5GPOP7DWEYNS8T/Clayful_Cards_01.jpg Highlights - Clayful Identity and Branding https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448373228391-J23VVGXR2HZRK4A8FDBT/Conditions-Apply_06.jpg Highlights - {*Conditions Apply} Autumn Winter 2010 Catalogue https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1434949589635-C9DUYK84EQPOD2EZQRA0/Ruh_Cards.jpg Highlights - Ruh Identity and Branding https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1465027817940-QYXLM3YLNCB0XWPJ14R7/Ali.jpg Highlights https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1434949606967-MGIW79WOJ5FTW2JCEOCR/Tehelka-London-Summit_Invite.jpg Highlights - Tehelka London Summit Identity and Event Branding https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1434949729411-POETQFN49IO3F1IORVE8/Tehelka-London-Summit_IDs.jpg Highlights - Obsessions and Obligations Identity and Event Branding https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1469780727437-0A1GUTD4AUJHFHWIW8ON/UNDP_Compendium_01.jpg Highlights - UNDP UNDP in partnership with the Ministry of Tribal Affairs, Government of India, developed this publication that combines for the first time, enabling and historic rulings of various courts of law, that have strengthened India's Scheduled Tribes and Other Forest Dwellers (Recognition of Forest Rights) Act, 2006, or the Forest Rights Act, a landmark legislation. It aims to be a useful and practical guide for executive authorities engaged in protecting the rights of these vulnerable communities. OH! illustrated the cover and designed the 650 page publication. The compendium was edited by Shomona Khanna https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448373705579-PGKZ2565ONVK0V9L4LZV/The-Man-Covers_01.jpg Highlights - Malayala Manorama Art Direction https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1458013094500-KH2I2PR38Z2C8KS90AGF/Chai.jpg Highlights - Tehelka Illustration http://www.sudeepchaudhuri.com/identity daily 0.75 2018-05-28 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1465192244668-Q01N1VGSYAP58XYJ2BJK/Clayful_Cards_01.jpg Identity - Clayful https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1456339148378-WDADQSJHURG6BNBNIOOZ/Gulail_Poster.jpg Identity - Gulail https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1465191059051-MYXZ7U5F2WIBSDTJ5W2M/Ruh_Sign_01.jpg Identity - Ruh https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1434936148639-A9UKBQSD1QX1J1X528MS/Tehelka-London-Summit_Poster.jpg Identity - Tehelka London Summit 2008 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1465190578089-YCUMTMBDL6280NUJQNJB/Plantation-House_Visiting-Cards.jpg Identity - Plantation House https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1434937222523-LB9LMW07D70SX5DT4WS2/Tehelka-Obsessions%26Obligations_ID.jpg Identity - Obsessions & Obligations https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1501736526894-6550KUIPNARKLRC498SI/Delhi-Press-The-Bridge_04.jpg Identity https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1478220771945-7DUUB0LIHQ6XZ0L04HCT/ABInbev_02.jpg Identity - AB Inbev: Budweiser EDC Packaging http://www.sudeepchaudhuri.com/illustration daily 0.75 2018-06-30 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1433739851508-Q9ONH748W17K4T43VUZX/Sudeep-Chaudhuri_Prufrock_Poster.jpg Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1438369465265-PWUPJMHQ07MC3WLW847P/Clockwork_Explore_01.jpg Illustration - A Clockwork Orange https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1439399069969-JQVGVYLXHG6NBQYETPIH/sotomoto-hopscotch-01.jpg Illustration - sotomoto Hopskotch Rug: Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1435081759362-66XSWVLJWOG99YGJQQUQ/Hachette-Book-Cover_00.jpg Illustration - Hachette Illustration for 'Excess, the Tehelka Book of Stories', published by Hachette https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1457955710536-THD8DNDRI5YO0CJQ3YUN/Arun-Maira_01.jpg Illustration https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1530365663099-D46LEU88Z7VIK02UIIVP/GGSS-Cover-Final.jpg Illustration Illustration and packaging design for a set of alphabet cards http://www.sudeepchaudhuri.com/photography daily 0.75 2018-05-28 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1449641453230-8XKPWQU28SJJGB2I7HUZ/AAP_01.jpg Photography - The Aam Aadmi in the Party https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1431973446534-YM6F7VJ8DBEGU9I9Y4NI/IMG_0694.jpg Photography - An Olympic Dream Races don’t go to the swift, but to the best prepared. 'At the Olympics, running and swimming have the maximum medals, but India is nowhere in these sports. 'We have over a billion people, a huge potential talent base, so why can’t we win? Because our system is flawed,' says Karan Singh, 27. A victim of the system, Karan had to give up promising careers as a cricketer and athlete. He returned to the country with a dream to teach India how to run. http://www.sudeepchaudhuri.com/exhibition daily 0.75 2021-04-01 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1480736404668-ZAP4XG5JGOXQH6MUUZF2/IFI_TSOT_01.jpg Exhibition - The Surface of Things: Photography in Process Alliançe Français de Delhi 24th November - 13th December 2016 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1449640103375-U1N6VL36OV6KM3IA8YO5/Atrium_03.jpg Exhibition - Bulgari Since 1884, Bulgari jewels have been an emblem of Italian excellence with their extraordinary quality and distinctive style, a balance of classicism and modernity. It has had an enduring relationship with movie stars and royalty over 130 years. The luxury Italian brand relaunched in the country with the opening of its first company owned store in the national capital at DLF Emporio, the country’s only uber luxury mall. The exhibit had to fit and conform to mall regulations. Walls and panels couldn’t be higher that 7’ and store fronts couldn’t be obstructed. The design for the fountain area occupied 12’ of space, with images split into narrow 6"x7’ panels, allowing customers a peek at the stores behind. In the atrium area, a display of the brands philosophy and history occupied a 20'x20’ area. A large tiled LED wall displayed the brands video content and acted as an backdrop for photo-ops during the launch. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1457959414551-VC4VJTL05I6SBCNHJJBS/Origins_02.jpg Exhibition - Origins: PhotoUKIndia The Alkazi Foundation and British Council, India came together for this photo project titled Origins, an exhibition of photographs capturing the rich diversity of the connections between the UK and India through the work of 31 emerging and established photographers from both nations. This exhibition was a partner event of the Delhi Photo Festival, 2015. Organized in consultation with Street Level Photoworks, Glasgow, UK, the exhibition was curated by Rahaab Allana. Artists Featured: Alan Knox, Alexandra Lethbridge, Alexandra Vacaroiu, Arpita Shah, Bharat Choudhary, Blazej Marczak, Caroline Douglas, Craig Gibson, Devansh Jhaveri, Dougie Wallace, Evan Thomas, James W. Norton, Jocelyn Allen, John Glenday, Karan Kapoor, Kotryna Ula Kiliulyte, Laura Pannack, Liz Orton, Nikhil Roshan, Nupur Nanal, Pallavi Gaur, Patrick Sutherland, Philipp Ebeling, Rachel Cunningham, Ravikumar Kashi, Robert Ormerod, Ryan Lobo, Sarah Amy Fishlock, Signe Emma, Srinivas Kuruganti and Wendy McMurdo The Gallery, British Council, New Delhi 15 October, 2015 - 3 January, 2015 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1534088096523-Q8GFA7LSXT9J1SV2G1JH/IFI_Mutations_03.jpg Exhibition https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1534012333918-M402LN93RUGKMQ3LAJWI/CinematicImagination_unedited_SD-7T.jpg Exhibition https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1534164324840-LH0AN4ZYLPFIFMZAVTCY/AFD_AWC_01.jpg Exhibition Celebrating 10 years of partnership between India and AFD, the travelling exhibition highlighted collaboration on projects that promote sustainability in all its dimensions – social, economic and environmental. It was inaugurated by President Emmanuel Macron in New Delhi. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1550593391663-JTWBX0FOUCSOZAG8I3KH/SAF_E_NFOI_01A.jpg Exhibition http://www.sudeepchaudhuri.com/publication daily 0.75 2018-08-13 https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448375471382-XH89XHFEYFS3BON3Q5BI/Vidura_Poster.jpg Publication - Meiyou Wenti: No Have Problem Poster for an Exhibition of Photographs by Vidura Jang Bahadur at the India International Centre, New Delhi. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1465020150132-1835B5BOO018TXMILSGM/Hanut-Singh_01.jpg Publication https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1493301561301-LJHO9A30NZAR6JPYEVWN/FHF_YFFT_01.jpg Publication - Yesterday's Film for Tomorrow https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1492237140119-JG34RHG15SW30RR9KJM8/Grover_Ahldag_Poster_01.jpg Publication - Leaky Folds: Grover|Ahldag https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1469780788548-LCLWREK0LPRWAW5OP5BW/UNDP_Compendium_01.jpg Publication - UNDP https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448373602939-P3C2SNLA859ACBYO3TCP/IIC-Book-Cover_01.jpg Publication - IIC Quarterly: Summer 2008 Cover Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448368739445-0XKKLIOKOLYY2S1HEEE4/Vol-10-Iss-25.jpg Publication - Tehelka https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448369862696-IFK53TCDAB6XI8UEA8OZ/Conditions-Apply_01.jpg Publication - {*Conditions Apply} https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1470371838309-0DIPEL4ZEMFKK8JH603O/Encanterra_00.jpg Publication - AWE Residences: Encanterra AWE Residences is a small, niche firm that specializes in luxury residential projects that incorporate the latest global trends in architecture, and style. Encanterra is inspired by traditional Balinese architecture with a contemporary vibe and is designed by WoW, the award winning architecture and design firm from Singapore. Inspired by Balinese batiks, the brochure used illustrations to accentuate the state's history and to break from the hyper real renders of the property. The embossed cover afforded a tactile earthiness to the brochure. Done at Green Goose Design https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1448369731652-73TVUJ6Q70T7KT9XPB2D/Bl%5Enk_Poster_01.jpg Publication https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1480735557875-N36DBCUHI4C1AMOUNJJ0/The-Surface-of-Things_02.jpg Publication Exhibition catalogue for The Surface of Things: Photography in Process https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1525241411025-3O6DHWN9YYK676GZTZUS/TRG_MY_2017_04.jpg Publication - Multiply Yourself: How Indian Founders Learn to Let Go and Grow Their Business The River Group is known for helping CEOs achieve transformational change. In 2017 they reached out to the studio to design a study of the leadership journey of founders exclusively in India and the leadership qualities that enable them to successfully scale their businesses. https://images.squarespace-cdn.com/content/v1/555458cae4b0234e02cb19fd/1431779644270-23WSDILWLNY4ZSP1XE12/Ishan_Poster.jpg Publication http://www.sudeepchaudhuri.com/about daily 0.75 2018-09-08 http://www.sudeepchaudhuri.com/clients daily 0.75 2018-08-13